
This morning I stayed in bed until noon and finished reading "Timeline" by Michael Crichton. It is the story of several medieval scholars who are working on an archaeological site in France, who then get the chance to actually go back to the time and place they have been studying. I feel like I learned a lot about the medieval world from their travels. The story also includes physics, action, suspense, and a hint of romance.
Because it's fun to point out flaws and the questions that remained with me, here I go!
- One character, Marek, has been in love with the medieval period his entire life. He has studied it intensely, and feels like it is his home. Once he actually gets "there," he finds everything just as he expected it; the only thing that surprised him was the speed of their swords. I have a hard time believing that even the best scholarship today could be so accurate as to fully prepare someone for the real thing.
- The idea of time travel raises many logical perplexities. Crichton tried to address the issue of "time paradoxes" by having one of his characters explain how difficult it is to change any particular course of events:
"It's easiest to see if you take a contemporary example. Say you go to a baseball game. The Yankees and the Mets - the Yankees are going to win, obviously. You want to change the outcome so that the Mets win. What can you do? You're just one person in a crowd. If you try to go to the dugout, you will be stopped. If you try to go onto the field, you will be hauled away. Most ordinary actions available to you will end in failure and will not alter the outcome of the game. "Let's say you choose a more extreme action: you'll shoot the Yankee pitcher. But the minute you pull a gun, you are likely to be overpowered by nearby fans. Even if you get off a shot, you'll almost certainly miss. And even if you succeed in hitting the pitcher, what is the result? Another pitcher will take his place. And the Yankees will win the game."Let's say you choose an even more extreme action. You will release a nerve gas and kill everyone in the stadium. Once again, you're unlikely to succeed, for all the reasons you're unlikely to get a shot off. But even if you do manage to kill everybody, you still have not changed the outcome of the game. You may argue that you have pushed history in another direction - and perhaps so - but you haven't enabled the Mets to win the game. In reality, there is nothing you can do to make the Mets win. You remain what you always were: a spectator."And this same principle applies to the great majority of historical circumstances. A single person can do little to alter events in any meaningful way. Of course, great masses of people can 'change the course of history.' But one person? No.""Maybe so," Stern said, "but I can kill my grandfather. And if he's dead then I couldn't be born, so I would not exist, and therefore I couldn't have shot him. And that's a paradox.""Yes, it is - assuming you actually kill your grandfather. But that may prove difficult in practice. So many things go wrong in life. You may not meet up with him at the right time. You may be hit by a bus on your way. Or you may fall in love. You may be arrested by the police. You may kill him too late, after your parent has already been conceived. Or you may come face to face with him, and find you can't pull the trigger." (172-173)So, it's difficult to make one particular thing happen. But a greater issue in my mind is chaos theory, and how tiny little actions can have gigantic consequences. Any interference in the past, even if it doesn't change the outcome of a certain event, can still have other wide ranging effects.
I guess there's no good way to answer this, which is why it remains a question. It's unfair to expect a satisfactory explanation from a novel, and it is admirable that they at least try to address it.
- The book begins with a scientist stranded in the desert, far from where he originated. The story never does explain how or why he got exactly there, and I'm still curious.
- The entire project - both the archaeological research and the time-travel science - are funded by a company called ITC, owned by a bad-tempered, self-absorbed man named Doniger. I don't understand their interest in the particular time and place that the story is set in, nor their insistence on keeping the past pure and not bringing back any inappropriate materials (no plastics, modern weapons, etc). Don't get me wrong - I think the setting is interesting and their approach is admirable, but it doesn't seem to fit with how they are described. Although an explanation may be found in the potential tourism they see in an authentic historical experience, I still don't see their actions quite lining up with their purported priorities.
Despite the flaws I see, I found the book interesting and worth reading. The ending was really good - you don't know until the very end exactly what's going to happen, and then the epilogue keeps you from feeling like you're hanging. (It raises more questions about how altering the past affects the present, though. Sigh.)
I've heard mixed reviews about the movie, and although I'm sure it's not as good as the book, I'd be interested to see how they illustrated this book.