
I recently finished reading "Pooh and the Philosophers" by John
Tyerman Williams. It is subtitled, "...In which it is shown that all of Western Philosophy is merely a preamble to Winnie-the-Pooh," and I thought it would be whimsical, entertaining, and educational. But I was disappointed and frustrated, and I rejoiced when the book was finally over.
I wondered about whether or not to tell you guys about what I thought, or to ask you to read some of it yourself, form your own opinion, and see if it is similar to mine. (That's the thing about opinions: sometimes they have more to do with me than the subject matter.) But after I read a little bit to Justin and he validated my views by echoing them, I decided to just share what I thought of this book. If you're interested in checking it out for yourself, let me know - I have a copy I'm willing to part with.
I think the biggest problem I had was with the style. The author was arrogant. He constantly used the word "obvious," a term that I generally find quite insulting. He built his arguments on very thin evidence and made conclusive points out of shaky associations. I was telling a coworker about this book and he summarized it perfectly by saying, "It sounds like that's really a stretch." Exactly. And then the author had the audacity to write that "the last think I wish to do is to present any explanation that does not arise obviously and inevitably out of the text." (189) That is exactly what he does. He's not even fair about it - he has no trouble applying different interpretive rules to points he wishes to make and matters he wishes to dismiss. He takes his thesis (that Winnie the Pooh is a preamble to all of Western Philosophy) very seriously, and writes as if all philosophers prior to this current century were actually anticipating Milne's work, and all philosophy after its publication was merely footnotes. In addition, it seems that the author arbitrarily chose a thesis and then tried to find examples with which to defend it, instead of letting the argument arise naturally from the text. To use a cliche, it's like he put the cart before the horse.
Here's a sample:
The next important Platonic reference in this chapter occurs just after the episode of the song. Pooh finds Christopher Robin preparing for an Expedition (or Expotition) to the North Pole. Leaving aside another example of Pooh's Socratic pretense of ignorance, let us concentrate on the striking fact that in the short space of seventeen lines, we find no fewer than seven "x"s.
Now "x" is one of the rarest letters in English. We need not go into elaborate calculations to prove that an average of one "x" per 2.43 lines is quite exceptional...
A mere coincidence, does anyone suggest? An inevitable result of the fact that an expedition is the subject of their conversation? Reader, remember that we are studying the supreme work of Western philosophy. Not one word, not one letter, not one comma is there by chance. Everything in it has a meaning. Indeed that is an understatement. Everything in it has several meanings...
What does this signpost point to? What does "x" mean to us? First and foremost it is the unknown quantity. This fits well enough when the subject is an expedition into the unknown in search of the unknown. But this is only the first step. We need another to lead us directly to Plato. What is it?
Plato was a master of the general and the abstract rather than the particular and the concrete. Therefore, we can hardly be wrong if we expand the meaning of "x" from the particular "unknown quantity" to the more general "mathematical symbol."
Everything now falls into place. We remember it was Plato who inscribed over the door of his Academy the words "Let no on ignorant of Mathematics enter here." This naturally followed the well-known connection of Platonism with the teachings of the Pythagorean School. And an essential Pythagorean doctrine was that the universe had a mathematical basis - a brilliant anticipation of some theories of modern subatomic physicists.
We can now see that the Expotition to the North Pole is an allegory for the search for the ultimate structure of the universe. No longer can we be surprised that it was Winnie-the-Pooh who discovered it. (26 - 29)
So we go from 'x' to Math to Pythagoras to the structure of the universe, and somehow it's all based on Plato. It's a stretch.
Because so much of what he wrote seemed like nonsense to me, I couldn't help but wonder whether the author was trying to write a satire. But I'm not very good at satires, and I couldn't figure out what he might be intending to comment on. I did, however, find myself drawing on what I have learned about Biblical interpretation as I read. The author seemed to treat Winnie the Pooh like an allegory, where everything means something else. Honey means philosophic truth; a round balloon must be referring to the idea that the earth is a sphere. There is a belief in the
inerrancy of the text and the idea that each jot and tittle is pregnant with meaning. The question of whether or not one ought to be cautious to not extract more than the original author intended in his/her work lingers. I'm not confident that this author intended to criticize a fundamentalist, allegorical approach to the Bible - he avoided discussing religion altogether, and nothing made me believe that this was his underlying message - but that is what this book reminded me of.
Although this book mentioned a lot of philosophers, I don't think I learned anything about them. I was too frustrated with the tone of the writing to accept anything it could possibly be saying. In addition, the author seemed to focus on
hilighting his own wit and the intelligence of Winnie the Pooh over any explanations of philosophical thought. He twists the original characters to illustrate his thesis, making Pooh Bear a great Socratic teacher of great wisdom who seeks to enlighten his friends, a foil of the dense Christopher Robin. I must say, I prefer the original characters, the original story, the original interpretations.